tippingpoint.org.uk
Twitter RSS
 
 

Projects

Windowfarms project
Britta Riley & Rebecca Bray
New York, United States



Project Start: 01/02/2009
Project End: 01/01/2020 Still in Production
Category: Interdisciplinary
Tags: Urban farm
Link: http://our.windowfarms.org/

The first window farm was built in a low-light Brooklyn window after Britta Riley read Michael Pollan’s New York Times’ Magazine article “Why Bother?” Pollan suggests growing some of your own food to help heal “the split between what you think and what you do, to commingle your identities as consumer and producer and citizen.

What she lacked in yardspace, Riley made up vertically, developing a hydroponic system to grow food all year round in her window. Made from recycled and easily accessible materials, the first Windowfarm produced 25 plants and a salad a week and sparked thousands of other growers to build gardens in their own windows. Riley and Rebecca Bray fully developed the project in February, 2009 through an artist’s residency at Eyebeam Center for Art and Technology in New York and sponsorship by Submersible Design, Riley and Bray’s interactive design firm.

Building a community of growers online and providing a platform for open source collaboration have been part of the Windowfarms mission from the beginning. Since the Windowfarm Community launched online in 2009, it has grown to include over 30,000 people from all over the world: the Netherlands, Sweden, China, Brooklyn, Boston.

[This is all from the fantastic Windowfarm.org website - visit it!]




Search


Abrupt climate change Activism Aerial Theatre age of stupid Aircraft Amazon an inconvenient truth Antarctic Antarctica Apocalypse Apocalyptic archive Arctic art artist curator Artists Book Artsadmin Asleep at the Wheel Atmosphere Attachment audio trail Awel Aman Tawe bees belief biodegradable materials BioDiversity Blue Line book.data bubbles cabaret Campaign Canary Project Cape Farewell Carbon Ration Carnival Cars Catastrophe Celebration Cello change children's theatre climate Climate Change Communication Climate Justice Climate Refugee Camp Climate Refugees Climate sceptic Climate Science Climate Train cloud Clouds Coal mining Coast coastal plastic pollution Consumption Contrails Controversy COP13 COP15 COP17 Copenhagen cultural heritage culture cycling Dance Darwin data visualisation denial Destruction Directions for Use dystopia E-book earth ecology eco warriors Education educational Elegy Elemental Forces Emergency planning Emissions Endangered Species Energy engagement environment Ephemera Ethical questions Exhibition Facebook Fallen Timber Festival Festval fiction figurative film Finance Fine Art Flight Flood Flooding fluid tense for children Forest Fossil Fuel future Glaciology globe Greenland Green Lifestyle Honeyscribe hovering stones Ice Icebergs ice cap melt ice melting Ice sculpture Igloolik Imagine 2020 Impacts Incoming tide installation interpretation intervention Island Kyoto Protocol laboratory landscape landscape management latinamerica Lemn Sissay lifelong LIFT live art Logging long-term Loss mapping Milton Keynes International Festival Mime Monologue museum music My Last Car nature aesthetics nomadism Novel Nuclear Winter oceanic plastic pollution Oil Outdoor Participative Pedal Power photo Photography Photos Platform Poem Poetry polar bears politics Pollination Pollution Population Post-apocalyptic Preston Guild Printmaking Public Art radio drama Ration book Rationing recycle Recycled Remembrance Renewable Energy Reqiuem Royal Academy Royal Court Theatre Satire science Scientist Scientists Sculptural Requiem Sea level sea levels Short Stories signs Skype Smog Sound Art Sound Installation Species Loss Sport Story Gathering Street light Suranne Jones Survival sustainability Tents theatre in education theatre shows for children TIE time based TippingPoint Commission tour Transition Transport Unplugged upcycled urban Urban farm urban nature Vulnerability Waste Material water water soluble plastic Waves wildflower meadows Woodland Trail world